Sunday, September 12, 2010
The Good Daughters
Told in chapters that alternate between the lives of the girls as they grow up, Maynard foreshadows the major plot point along the way so often that it's easy to see what tragedies will unfold as the stories play out. Ruth's an artist who doesn't fit in with her four older sisters and who feels distance from her mother; Dana is a lesbian with a kinship for all things agricultural. As their lives march on through the 60s and into the 70s, both experience love and loss as they come to the awareness that sometimes what makes a good daughter is not what we are but what we do.
Maynard's writing is always a joy to behold, and The Good Daughters is no exception. Relatively short at under 300 pages, the inter-connectedness of the lives of these two young women play out against bigger cultural events and smaller familial actions. While I would have liked for there not to have been so many obvious hints at what the twist would be, it didn't detract from my overall enjoyment of Maynard's gift of words and her ability to bring life to her characters. Scenes of emotional loss so deep that it physically hurt brought tears to my eyes and yet this is not a book without hope and understanding. Maynard has a rare talent and The Good Daughters is yet another example of her complex layering. As long as she's writing, I'll continue reading.