Today's Grateful List/24 May 2015

  • Off again tomorrow!
  • Sonic Chocolate Shakes
  • Reading outside
  • Smelling bacon
  • Being in the house by myself

Sunday, May 24, 2015

Well, That Wasn't What I'd Hoped

I had high hopes for The Heir because I read and loved all the books in The Selection series. How could I not love the continuing story of America and Maxon and their kids? Turns's possible not to. Unfortunately.

I didn't hate this book. It's a fast, easy read, and yes, we still get interactions with those we've grown to know and love. The problems lay mostly in Eadlyn, the main character. She never loses a chance to whine or complain. Born first so she gets the crown? Complain. So much work to do? Complain. Have to have a Selection to appease the population? Complain. Complain, complain, complain. She's obviously immature and someone who should not be contemplating marriage in any shape, form, or fashion (not that she wants to). Eadlyn keeps thinking she has figured out ways to go through with the Selection without actually committing herself to anything, but every time she does, a disaster (usually of her own making) happens. Which honestly serves her right in most ways, but doesn't make her endearing on any level.

I just have so many questions...Why, with two parents who were so likable and committed, does Eadlyn not get that her actions have consequences? Why are her parents not the fiery couple we'd seen spar so often in the previous books? Why is Eadlyn left to devise her own solutions at such a young age? How is that the Selected young men weren't vetted thoroughly? Why is Marlee and her family living in the palace? (Sure they would have wanted a place to call their own!).

Some of the young men involved in the Selection are charming, but many seem either manipulative or just plain boring. I get it; Eadlyn didn't want to do this, so she didn't take much time to get to know any of them. The first elimination is a disaster and a huge opportunity was missed when her parents actually let her get away with her shenanigans. I kept wanting to like her, wanting to cheer for her...she's America's daughter! She should be behaving better. What's with all the walls she's built around herself? Surely being a part of such a loving family would have allowed her to be less reserved.

Still, there's fun and some growth, even if it's minimal. Eadlyn is best when she's not trying so hard. I'm just not sure why, twenty years on, we have a nation that is still fighting itself and a young girl who is expected to deflect major problems by dating. This book is missing a light, fun core that was so evident in the earlier books. I am hopeful that Eadlyn will find herself behaving better after the cliffhanger ending, and this second part to the series will eventually make me feel both sympathy and hope for her. I'm hopeful this book was just laying groundwork for major changes ahead. Otherwise there won't be much point in cheering for a very cheerless princess.


Sunday, May 17, 2015

The Replaced

The Replaced picks up with Kyra wondering what's happened to Tyler after leaving him for the aliens to take and, hopefully, cure. She's back at the camp with Simon and the others when word comes in that a young man has been taken to the Daylighters' headquarters, and Kyra's convinced it must be Tyler. A major rescue mission is launched and Kyra discovers even more frightening facts about herself and her abilities, all while looking for Tyler's Return.

There's more, of course, but unwilling to do spoilers, I'll be careful with any more information. Kyra's desperation to find Tyler fuels most of the book, and there's another side to the story when they end up at a camp where Thom and Simon used to live and work. Run by Griffin, Kyra's instantly skeptical and oppositional in her new home, but she's in for bigger surprises when it becomes apparent that Kyra's not just Returned, she's Replaced. And that has even more dangerous connotations for the group.

What I liked: I love Kyra, and I love her feelings for Tyler. I love that she recognizes her shortcomings but still goes ahead anyway. I loved the whole rescue attempt and the ending especially. The twist of having a spy is good and sets us up for the final book. I'm eager to see what's going to happen next and if Kyra can regain everything she's lost since she came back. She's got some hard truths ahead of her and I can only hope we get the happy ever after ending we want.

What I didn't like: I don't like love triangles, and possible love quadrangles. I don't like being set up for one relationship and then having another maybe, possibly, mean something. Not be spoilery, but Simon bugged the snot out of me the whole time I was reading. Give it a rest already! I also felt like the book dragged at times and maybe it was supposed to since Kyra does spend a good deal of time waiting. I also disliked the whole Griffin scenario; I felt like I was getting a Walking Dead vibe of total power and it just didn't work.

But, yeah, this is a good sequel, and I enjoyed it. The writing is good, and Kyra's voice is strong. I like how some historical events seem to be woven throughout, and I'm eager to see what happens with all of the characters. While it may not have been quite the page turner the first book was, it's still a decent sequel and one that moved the stories along purposefully and creatively.


Avoid This One

I really wanted to love The Rules because the premise is awesome: Popular, privileged kids go on a scavenger hunt where it turns out there's more on the line than just winning a fabulous prize. The main character, Robin, is not a member of the clique, so obviously she's the one you want to root for. But then people start turning up dead or injured, and it becomes very apparent that someone has much bigger issues to resolve...and those include death and pain. Pretty good set up, right?

Honesty compels me to say that this book is so poorly executed that I wanted to give up almost immediately. But having stuck with books I disliked initially in the past, I felt honor-bound to continue. Unfortunately, it never got better, and what should have worked to be scary and fiendish turned out to be just a bunch of too stupid to live moments. People who obviously have no clue (pun not intended) do ridiculous things like splitting up and making out rather than worry that their very lives are at stake. There's no one to feel any sympathy for, and many I just wanted to go ahead and die already because they were just so unappealing. Even Robin, our heroine, falls far short of using her brains. I truly didn't care if she lived or died.

A huge turn off for me in the beginning was the jumping into points of view of random characters; it would have worked far better if there had been a core group whose heads we could get inside, rather than glimpses of the phobias and manias most of the characters seemed to have. I was also less than impressed with the style of writing itself; the phrases and the wording reeked of amateurism when it should set us up for the drama to follow. Do I really need to be told that Jinny is Robin's mom as the woman walks into the room? Nope.

Still, there were a couple of moments that keeps this one from getting the dreaded one star, including the groundwork of August's sister's death and the atmosphere of horror that sort of permeates the plot. However, I hate to be harsh, but this is one book I say you can avoid and not feel badly about skipping.


Saturday, April 25, 2015

LOVED This Book!

Identical twins Ella and Maddy are involved in a horrible wreck, and when Ella comes to, she cannot remember who she is until her sister's boyfriend Alex calls her Maddy. Confused and upset, Ella is sure she is the social butterfly her sister was instead of the bookish artist she is in reality. Even after the awful truth is forced upon her--she's Ella, not Maddy--Ella cannot imagine breaking everyone's heart by taking Maddy away from them. In an instant, she decides she must *be* Maddy, to give her dead sister the life she would never have, to give her parents the twin she is sure they would have preferred to live. She will put aside her intellect, her artistic ability, herself, forever, because she cannot overcome her guilt. It doesn't take long for her to realize, however, that being an identical twin might mean that no one can physically see the differences in the sisters, but that doesn't mean their lives were anywhere near similar, and Maddy had secrets all her own.

When you first think of this premise, it seems a bit far-fetched. How could parents not know their own daughter? But a couple of things made me realize it could actually happen. Anyone who knows identical twins--truly identical twins--knows there are moments you have to stop and think...Which one is this? Especially in moments of high stress, it's plausible. The second reason I could believe this was the case a few years ago when unrelated girls were in a van wreck and two entire families did not realize they were wrong about who had survived. So, with a family that is just happy to have one daughter alive, it might be easy to overlook changes in behavior and confusion in actions. Going with this idea, I fell for this story hook, line, and sinker.

There is something about Ella's voice, her struggles and her conscience, that pulled me in from the start. My heart was literally broken for her, especially for thinking her parents would have preferred Maddy to live. In such a traumatic event, Ella only wants to fix what she thinks she can. Of course, her choice leaves her best friend, Josh, utterly devastated, and her torment just increases when she begins to realize that Maddy wasn't who she thought she was in lots of ways. Is it too late to fix things? How can she go on?

I was emotionally wrapped up in this story from the first pages, and the author does such a good job of showing the complex relationship between twins who seem to be polar opposites in everything except looks. I was impressed in how she covered the bases so that it was easy for the paramedics, the medical staff, and the friends and family could believe it was Maddy who survived. Ella is a heartbreaking character; she's a good person who is nearly crippled by guilt and her own expectations. I loved how she came to realize that things might not be what she'd assumed, and that there were layers to her sister she'd never considered. I rarely feel so strongly about a book, but this one just grabbed me with its unusual premise and its heartfelt story. I totally loved it and can highly recommend it.


Yeah, Yeah, Yeah

This picture book on The Beatles is definitely written for kids, and that's not a bad thing at all. It hits all the high points, following the Fab Four individually (but superficially) from just before they meet and form the World's Greatest Band until the break up. There are no big revelations that most adults wouldn't already know, and no references to drug antics or general nastiness. While the drawings are more on the cartoonish side, I could actually see some influence of Lennon's art work in them, and felt they did a good job illustrating the action. It's all very clean and general, and a good guide for anyone wanting to introduce the next generation to the Beatles.

Two things did jump out at me, however. One is the mention, in a small frame about Strawberry Fields Forever, of how Lennon "escaped" to a remembered happy place. But it's the addition of the information that modern therapy techniques urge us all to visit a safe place in our heads when are worrying about something that pulled me totally out of my enjoyment of the reading. It was unnecessary and not a good extension for the story. Secondly--and this is something at which I just have to smile--there is an explanation of what a "single", an LP, and an EP are, including descriptions of the A side and B side. I am officially old.

This is a good picture book that will gently give the outline of the rise of the Beatles, and most adults will enjoy it as much as any child.


Tuesday, April 21, 2015

Battle of the Bulge

Battle of the Bulge by Rick Atkinson is apparently an adaptation of an adult series, reworked for a much younger audience. I haven't read the adult books, so I have only my reading of this book for reference. I chose this book from Amazon Vine because I like learning about World War II and this is one episode I admit to knowing little about.

What I Learned: A lot. For someone who didn't know much, I now understand Hitler's reasonings for this offensive, and how the Allies reacted to it (sometimes valiantly, sometimes waiting too long). There were some wonderful quotes that put things in perspective, particularly from Eisenhower. There was a lot of detail to show how individual soldiers were lost and how some refused to go down without a fight. I definitely came away with a clearer understanding of the Battle of the Bulge and a deeper respect for those who thwarted Hitler's last major ground offensive.

What I Didn't Get: There is almost no way the average 8-12 year old would find this book interesting, though I know a few might. The details that an older person would love often weigh the narrative down, creating an atmosphere of just too much intricate information. The back and forth of the chapters from either the Allies' or Hitler's points of view is often jarring; maps scattered throughout might help, though I did appreciate the ones that were included. For this book to appeal to this age group, a smaller focus would definitely help keep the reader engaged. After a while, even this interested reader began to let all the names of people and places run together. If I was trying to engage a ten year old in all the wonder, madness, and tragedy of World War II, I don't think jumping from place to place and person to person would be the way.

There is a lot of useful information in this book, and the photos are especially captivating. While I personally liked it, I feel that the targeted audience would most likely find it dull and confusing. I would suggest perhaps a 13-14 year old target is more appropriate, and then mostly for research purposes.


Saturday, April 18, 2015

The Shadows

I've been a huge fan of the Shadows since they were first introduced into the BDB canon. Mysterious, sexy, and intriguing, Trez and iAm have been gaining a presence over the past few books, so I was very excited when I found out the next book was going to focus on them. And, having finished it, I have to say I did enjoy it immensely and I do feel as though I got to know the brothers well. For that reason, I would've given the book 5 stars.

I'm not going to waste words on recounting the plot, because chances are, if you are this far into the series, you know in general what happens in this book. Instead, I feel a list of pros and cons is more suitable for this review. Spoilers ahead, so consider yourself warned.

Pro: The love story between Selena and Trez. Making the most of the time you've got, no matter how small, is something we should all strive to live by. I loved their connection and I loved how Trez called her "my queen." We should all be so lucky.

Pro: iAm's devotion to his brother. This relationship was almost as good as that between Selena and Trez.

Pro: The appearance of several of the characters we've grown to know and love. It was nice to and hear from V, Rhage, Tohr, and the rest, even in small doses.

Pro: Good set up for the spin-off series debuting this fall. I *like* Paradise.

Pro: Layla is coming into her own, but she's gonna have to "man up" for the situation she's created.

Pro: Any and every sighting of Lassiter is wonderful, and his helping iAm was spectacular.

And now for the BIG problems, which really should knock two stars off but I'm feeling generous:

Con: Ward dropped the ball BIG TIME by leaving Xhex out of the equation when both Trez and iAm were having personal crises. They've always been there for her in the past and it would have been natural for her to be involved. I'm bitterly disappointed in this aspect.

Con: Ward needs to follow her own rules. If Selena indicated she was ready to go (through Morse code eye blinking--when did she and Trez come up with that if he refused to talk about her condition?), is that suicide? Even if administered by another, it's a bit on the questionable side. That would mean she couldn't go into the Fade.

Con: So Trez is just lost for the next hundred years or so? She's brought everyone else back...why not Selena?

Con: iAm's relationship with maichen was very quick and very fortuitous. I love iAm but I don't feel the connection.

Con: Don't think we didn't notice how Ward evaded the issue of the color of Selena's skin. It went from white in one book to cafe au lait in the next, and in this book, it's just "lighter than Trez's." Ward should be aware that her fans notice these things. We make mistakes, but please own them.

Con: The Rhage story. It doesn't feel right to me. Panic attacks? Okay, well, I get the reason. I just don't feel it.

Con: What the heck is the deal with the question marks? Within the same paragraph, Ward uses them for some questions but not for others. It pulled me out of the story every. single. time. Where is the editor?

I'm still a fan of the series, and overall, I enjoyed this entry. The story between Trez an Selena was well done, if a bit tedious at times. I did finish it feeling the loss, and I suppose not everyone gets a HEA. Realistically, I'd give this one a 3.5 but my enjoyment overrides my issues and I will go with four stars.


Charlie, Presumed Dead

The title for this review is NOT a spoiler, btw. It's just a fact you need to keep in mind as you read this superbly twisting novel by Anne Heltzel. There's a lot going on and not much of it is what you think it is. This, indeed, is a very good thing. Complex, possibly far-fetched, definitely engrossing, Charlie, Presumed Dead is all that and more.

Aubrey's boyfriend, Charlie, has perished in a small airplane crash and his funeral is being held in Paris, so Aubrey-from-the-small-town strikes out in order to attend. Once there, however, shock and disbelief smack her in the face when another girl gets up to speak at the funeral and identifies herself as Charlie's long term girlfriend. Determined to discover just what the heck is going on, Aubrey follows the girl and demands answers. It turns out, the one both girls should be demanding answers from is Charlie--but of course he's not talking. Lena reveals that she has been dating Charlie for three years; both of their sets of parents are international travelers with a hands-off policy in raising children and bank accounts that allow them to come and go as they please. Aubrey, on the other hand, has always been fairly sheltered and on a more traditional path in life. As they begin talking, it is obvious that the Charlie each knew was someone entirely different with both, deceptive with each and keeping critical secrets of his own. In fact, Lena is convinced that Charlie is not dead at all, and she is determined to prove it. Though highly skeptical, Aubrey agrees to tag along with this other girlfriend in order to find Charlie--and more importantly, to keep her own secrets from seeing the light of day. But Lena has secrets, too.

Told in chapters of alternating viewpoints, we don't have any great inside information from either girl because both are determined to keep others, and the reader, in the dark as much as possible. We follow these teens as they move first to London, then to Mumbai, and on to Bangkok, following leads and encountering shady characters who also may or may not be hiding something. Slowly the pieces come together, and the results are horrifying and thoroughly devastating in ways neither girl imagined.

This is a highly creative story, and while both Lena and Aubrey have annoying habits and behave in immature, reckless ways, they worm themselves into your subconscious so that you have to keep reading. While I was very suspicious of certain characters from the get-go, the stage is well set so that you can understand the hows and whys of the girls' interactions and behaviors even while silently screaming at them to think things through. My biggest problem with the novel is that I would find it hard to believe, in real life, that events could play out as they did, but that doesn't detract from the fact that this is one excellent story. The reveals of what's going on are strategically placed and I'm left thinking about the plot and the characters, wondering what's happening even now. There's a good set up for a sequel, and I want it sooner rather than later.


Tuesday, March 31, 2015

I wanted to love Sisters of Blood and Spirit, and honestly, there were parts I really did enjoy. The premise is great--twins, one born dead and the other who still sees, hears, and touches her sister. No one understands how Lark interacts with Wren when Wren is dead, but Lark just knows that her sister has always been a part of her life; indeed, Wren's her best friend (that no one else can see). Eventually it all gets to Lark and she decides she's going to join her sister in the Shadow Lands by committing suicide, but Wren won't allow it and sets up a rescue. It's at this point that the story actually gets going; considered a bit of a freak at school, Lark is surprised when a group of students approach her for help with a problem they've created because it's known that she sees ghosts.

So far, so good. The group has gotten the attention of a long dead ghost from an abandoned psych hospital and they need to get rid of it, pronto. Lark enlists Wren's help because, together, they are stronger and can find out more info. Lark lives with her grandmother who seems to be overly indulgent and kinda clueless at times, though she does support Lark and acknowledges Wren's presence. With all the endangered kids on board, the twins set to work to free them from the malevolent forces of the long dead.'s not bad, and the pages turn fairly quickly because the action is fast. I just didn't like Lark, even with her sad background and her mad ghost-busting skills. It's not her harsh language but her generally cutting attitude and her inability to be nice for any length of time that made me sort of want one of the bad guys to swallow her whole. Wren is more likable in demeanor but still a bit on the odd side. I could see their special relationship building into something really cool but my dislike of Lark sort of ruined it for me. Plus the idea that (possible've been warned so skip ahead now...) ...

...the impossibly hot guys still want to be with such a negative person just rang hollow for me and I didn't believe it. Sure, she might be pretty, but not on the inside. In addition, there were holes in the final "battle" and the resolution big enough to drive a stolen paddy wagon through. No one's gonna notice an open grave with an obviously burned set of remains inside? Uh uh. There also seems to be some confusion between what's a ghost and what's a zombie. Also--how is Wren still aging on the other side? Does everybody continue to age or is it only the Dead Born? So many questions.

So, how did I arrive at 3 stars? Well, it is a good story, and I really liked some of the characters, including Wren, Kevin, and Ben. There's potential for a sequel that I'd probably read because the action was good and I liked the relationship between Lark and Wren. There's a lot of gore but it fits the theme, and I like the whole paranormal aspect. Weighing those factors against what bugged me, I have to say I liked the book more than I disliked the stuff that bugged me. Definitely some problems, but it's still a fast, absorbing read.


Thursday, March 26, 2015

Tether picks up where Tandem left off--Sasha is back on Earth, having left Aurora and her love, Thomas, behind. She is trying to fit back in but it's almost hopeless--nothing is working out and her mind is preoccupied with what is going on on the other world. Brought to a man who knows something about both her deceased parents and alternate worlds through the clue of a folded paper, Sasha learns she can go back to Aurora, and she does. Once there, however, things become way more complicated; a third analog, Selene, has shown up, and she needs both Sasha and Julianna to accompany her back to her own universe in order to save it. The problem is, Julianna's disappeared again, and Thomas seems to be acting oddly at times, and everything seems to be much more dangerous than it was the last time Sasha was on Aurora. Making it all even more complicated is the "tether"--the invisible link between analogs that ties Sasha, Selene, and Julianna together, even allowing them to communicate through thought. Sasha is desperate to break the tether, but Selene needs it intact to save her world.

This second installment of the Many-Worlds series is another page-turner, with one event after another delaying finding Julianna and many heavy decisions being made. As a bridge novel, it held my interest well and moved the plot along, though I was a bit disappointed to see that we were in for another round of "Where's Waldo" with Julianna. Selene comes off stiff and wooden in contrast to the emotional Sasha, but that's likely done to show the difference in the two identical analogs. The developments are definitely way more complicated than they were in Tandem, and the risks are greater in lots of ways. Sasha is going to have make up her mind about a lot of things, and this novel sets everything up well for a big finish.

One minor issue I have is the continued use of "in Aurora". I know it's nit picky, but if it's an entire world, shouldn't it be "on Aurora" rather than in? Every time I read that phrase, I imagined the characters literally inside the planet. Maybe I've misinterpreted it, but it pulled me out of the story every single time. But beyond that very minor annoyance, I felt that the plot, if fairly predictable, was well-executed and kept me entertained throughout. I'm excited to see where we end up and can easily recommend this novel as a good middle installment in the series.